The Writer as Hero

I’ve been reading Chris Guillebeau’s great post, ‘The Agenda Part II: The Individual as Hero’ about how it’s okay to pursue your big dreams, invest in yourself and understandable that you have difficulty explaining the reasons for your quests to others:

 

You don’t have to apologise for pursuing a big dream, because a distinguishing feature of such things is that not everyone relates to them.

Chris talks about the Olympics, marathon runners and other sports people among his heroes. I acknowledge these journey and achievements, but like Chris says, they are not the heroes I relate to. My heroes are writers – their stories are the ones I read, treasure and follow.

For me, there is something incredibly heroic about the writer’s life and journey. This is because it is my goal: to write and publish work of value that speaks to others: poetry, novels, creative non-fiction. This blog is part of that goal – getting me writing and connecting with writers – but the real goal is larger and more compelling, hard to explain, talk about and justify, but I know it’s what makes sense and connects the dots for me. I know it’s elusive and also very hard work, but it’s when I am writing that I feel truly alive and myself. So today, following Chris’s lead, I celebrate the writing heroes who inspire me.

My writer heroes fall into two categories:

1. Published, famous writers whose books I read and biographies I study assiduously
2. My blogging heroes who are all out there creating now and inspiring me

In this post, I’ll concentrate on the first category; next post, I’ll talk about my blogging heroes also writing books right now and documenting their journey.

My published and famous writing heroes’ lives intrigue me for their romanticism, their lyricism and their commitment to craft and writing practice. They embody what I aspire to. They are mostly women; today’s list of my key writing heroes is all women. Their stories of how they strived to balance work, family, creativity and their craft are often difficult journeys. There are themes of obsessive love, drugs, alcohol, mental illness, suicide, struggling to make ends meet, trying to write while making a living, reclusiveness and withdrawal. There are also themes of: success, achievement, the pursuit of perfection, hard work, constant crafting, connection with people, being in the literary milieu of an age,  publishing and public readings attracting many.

For these heroes, it was mostly a battle for their creativity to be expressed in the works that endure. I am grateful for their determination, their quest and the lyricism of their work that speaks to me over the years. It is because these heroes understood the ‘big dream’ and lived it that they mean so much to me. I celebrate these six heroes:

Daphne Du Maurier

I love Daphne Du Maurier’s sheer prolific work, diversity, narrative and story-telling skills and her dedication to her craft. Her unique vision created historical fiction, psychological thrillers such as ‘Rebecca’ and ‘The Birds’ and wonderfully innovative works such as ‘The House on the Strand’ which blends historical and psychological fiction together in a narrative about experimenting with hallucinogenic drugs way before it was fashionable. I am absolutely in awe of Daphne’s writing skills and writing life. My journey to Fowey in Cornwall where she lived was a pilgrimage and to be there taking the ferry across to Fowey and walking the narrow streets was thrilling. There are some excellent pictorial memoirs of Daphne Du Maurier’s Cornwall and the country that inspired her.

Suggestions to read: Rebecca, The Birds and other stories, The House on the Strand, Pictorial memoirs: Daphne Du Maurier Country – Martyn Shallcross; Daphne Du Maurier’s Cornwall – by Daphne Du Maurier.

 Virginia Woolf

Virginia Woolf’s novels are wonderful but I especially am inspired by her non-fiction, essays and diaries. ‘A Room of One’s Own’ is sitting here in front of me on my rolltop and is never far away. ‘Three Guineas’ is a favourite thought piece on war and also women; Virginia’s writing on women and writing excite and support me as the pioneering work they are. These works explore the barriers that women face in attempting to produce literature and help to understand the challenges in the dream of being a writer especially as a woman.

Suggestions to read: A Room of One’s Own, Three Guineas, Virginia Woolf: Women and Writing (The Women’s Press collection)

Sylvia Plath

I love Sylvia Plath’s poems for their genius, craft and power. Her poetry has had the most impact on me of any poet and I am thankful for her body of work and what she achieved in such difficult circumstances. I especially love the books that shows Sylvia’s mind at work as she edits and crafts her poems, the precision of it, the artist at work.

Suggestions to read: Sylvia Plath: Collected Poems, Sylvia Plath: a Critical Study – Tim Kendall (Faber & Faber) – for some wonderful copies of original drafting processes on poems

Emily Dickinson

I love Emily’s reclusiveness, her unique voice, her secretive commitment to her craft, her pearls created. The sheer volume of work created without an immediate audience is staggering showing a complete commitment to her individual vision and style. The story of her life is fascinating and worth a read for the contexts in which she was creating the work we now know and value.

Suggestions to read: The Life of Emily Dickinson, Vols 1 & 2, Richard B Sewall (Faber & Faber).

Elizabeth Smart

‘By Grand Central Station I Sat Down and Wept’ is one of my favourite books for its sheer poetic power. A novella, ‘a cry of complete vulnerability’ as my copy says on the back. The story of Elizabeth Smart’s life is about balancing love, writing, creativity, children and a fight for self-expression. The narrative of her life is about ’the experience of being a woman artist in the middle of the century.’ (Sullivan – below p xi) I wish she’d written more but I know it was difficult with how life played out and the choices she made, but I treasure ‘Grand Central Station’ as a classic novella in the style I would like to write in.

Suggestions to read: By Grand Central Station I Sat Down and Wept, By Heart: the life of Elizabeth Smart – Rosemary Sullivan (Flamingo)

Edna St Vincent Millay

I love Edna St Vincent Millay’s romantic lyricism, her sonnets and her commitment to form. She was amazingly well-known in her time – the most famous poet of the Jazz Age and the image of  ‘the new woman’. She was incredibly committed to her art and lived an extraordinary life for her times, taking many lovers of both sexes. Her poetry was widely celebrated with her poetry readings often sell-outs with around 1600 people attending in some cases and her collection of sonnets, ‘Fatal Interview’ selling 35,000 copies in the early weeks of release in the middle of the Depression. The beautiful  photo of Edna St Vincent Millay when young surrounded by blossoms graces my desk here and inspires me.

Suggestions to read: Savage Beauty: the life of Edna St Vincent Millay – Nancy Milford (Random House)

These are my heroes, my heroines. I didn’t seek out for them to be all women but they are. I love them for:

• their commitment to their craft and art
• the narrative of their writing lives
• their passion and love for writing
• the works they have created
• the lines that make my heart sing
• the ideas that support me

Especially I love them for being my heroes, the female role models of the ‘big dream’ of writing because they understood it and lived it. 

Image, Vintage Underwood Number 5 typewriter by emilydickinsonridesabmx from flickr and used under a Creative Commons license with thanks

Reading Notes for Book Voyeurs #2

An occasional series on what I’m reading and why…

Paul Bowles, ‘The Sheltering Sky’, 1949 Penguin (Republished, 2009 with introduction by Paul Theroux)

I talked about the book voyeur phenomenon here. I’m always interested in the randomness and reasons around what others are reading, carrying around with them to read and also now reading on the kindle and internet. I contribute my reading experiences here in this same spirit.

I love a classic, especially one that may not be right out there and that has in any case bypassed me. Paul Bowles’ ‘The Sheltering Sky’ has been such a discovery. It’s the first book of his I have read and I look forward to reading his other writing now. The edition I have is one of the republished Penguin classics; available here in Australia for $9.95 and with a new introduction by Paul Theroux. I loved the introduction, but wisely left it to read till after ’The Sheltering Sky’ itself as it tells you what happens.

I haven’t come across Paul Bowles in my literature travels and reading journey and I wonder why he has escaped me. His style is dark and hypnotic; beautiful prose describing horrific scenes that repulse and attract you at once. It’s like watching a train wreck, but a compelling and stylish one.

My reading experience was interrupted. Too much reading of blogs and a lot of work in the day job meant ‘The Sheltering Sky’ didn’t get read as well as it deserved; at least for half of it, it was piecemeal and interrupted. Ironically, some time away for work delivered some excellent uninterrupted reading time en route and over dinner at night on my own. Then, finally, I lost myself in the second half of the book and surrendered to its prose and unrelenting entropy. As soon as I finished, I wanted to read it again.

It’s not a happy story; I won’t tell you everything that happens. Husband and wife, Port and Kit Moresby travel to the Northern Africa and into the Sahara to escape something: their marriage, themselves, boredom, society. You wonder why they are making this journey. The landscape and people are haunting and alien, hostile and threatening, and Port and Kit, along with their acquired companion, Tunner, make the journey deeper and deeper. It’s exotic and spell-binding even as you want them to turn back and you also turn away.

As Theroux concludes in the introduction:

…it is obvious that he wanted to give the desert a face and a mood – or moods; he often depicts a landscape in anatomical terms, and he could only do that by describing people somewhat like ourselves crawling around it and becoming its victims.

I loved the quote accompanying Book One ‘Tea in the Sahara’:

Each man’s journey is personal only insofar as it may resemble what is already in his memory. Eduardo Mallea

The book has that same unobtainable quality, like a maze of mirrors or a mirage; hard to pin down and unsure of its destination. Theroux describes the novel as ‘strange, uneven and somewhat hallucinatory…’  A journey, a process, but one full of breath-taking prose, the sheltering sky of the title woven through-out as a recurring image in different forms. Tennessee Williams’ 1949 review in the New York Times, ‘An Allegory of Man and his Sahara’  talks of the layers and depth experienced as a reader:

There is a curiously double level to this novel. The surface is enthralling as narrative. It is impressive as writing. But above that surface is the aura that I spoke of, intangible and powerful, bringing to mind one of those clouds that you have seen in summer, close to the horizon and dark in color and now and then silently pulsing with interior flashes of fire. And that is the surface of the novel that has filled me with such excitement.

I am chasing up the Bertolucci movie of the book which I’m sure is equally hypnotic. I’ll also be chasing up more of Paul Bowles’ books to indulge myself in his beautiful, dark, spare and eloquent prose. And I’ll be reading the work of his wife, Jane Bowles, who I have not had the pleasure of reading yet. If you haven’t experienced the strange pleasure of ‘The Sheltering Sky,’ do surrender to its allure.

I have learnt more about Paul Bowles and his wife Jane Bowles through the following excellent article:

The Forces Within: The Millicent Dillon Interview on Jane Bowles Part 1 on A Victoria Mixon’s Editor’s blog

There are other resources and background here:

The Authorised Paul Bowles website - extensive links and resources including many reviews

The Sheltering Sky – wikipedia Fascinating to see how ‘The Sheltering Sky’ has emerged in so many modern songs and lyrics